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Posts Tagged ‘Sueno Eiji sensei’

Sueno senseiSueno Eiji sensei, hanshi  hachidan is back in the UK and has taken us through two evenings and two long but enlightening days of instruction. The seminar evolved from a detailed look at suburi through to the best way to display you skills in grading examinations, but sensei’s overriding thesis was that kendo training should be a step-by-step process, based on getting each stage right before you move on to the next.

He summed this up by expanding on his previous remarks ”that you can’t do keiko if you can’t do suburi” by explaining that you need to be able to reach a good level of men suburi before attempting tobikomi men drills in armour. You should be able to make correct single men strikes before moving on to making renzoku waza. Your renzoku waza should be correct before attempting uchikomi-geiko, which you should perfect before trying kakari-geiko and you should only go on to ji-geiko when everything else is correct. Once you have all of these points straightened out, you should keep them on track by spending 50 minutes of each kendo hour on kihon and the remaining ten on ji-geiko.

Sensei’s most controversial point was that in suburi and uchi-komi our furi-kaburi (upswing) for men should not stop at the 45 degrees insisted upon by many other kendo teachers. Instead our hands should come back in a low arc past the top of our heads. He qualified this by saying that we should not bring them back to a point where he have to open our elbows, but that the swing should go back as far as it can while keeping the arms in correct cutting position.

When asked why 45 degrees is still recommended by many teachers, his answer was that it was written down many years ago but had since been rethought about and that many sensei just keep quoting conventional wisdom. He quoted an example of the seminar held before the All Japan 8th dan Championships where every participant regardless of what he usually taught was bringing his shinai back past the 45 degree point in the warm-up suburi.

Sueno sensei’s other repeated point was that you should relax your arms immediately after  striking men, so that the shinai could bounce upwards, allowing your forward motion and following zanshin to continue smoothly. As he said himself, “there are many paths to the top of the mountain”.

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Sueno senseiMumeishio dojo was fortunate to receive a visit last tuesday from Sueno Eiji sensei, hanshi  hachidan and former All Japan Champion.

Sensei instructed a kihon session before taking on all comers for jigeiko. He made a number of important points over the course of the evening and as per previous visits commented on the importance of correct cutting. After giving everyone the opportunity to try the ojiwaza of their choice against men and kote, he demonstrated how to control body movement so that they benefitted from the attackers forward momentum. Although most oji techniques are delivered moving forward, there is no need to continue across the dojo for numerous steps as in the case of shikake waza , instead it is enough to make a sharp attack and then to immediately assume zanshin, letting your opponent do most of the hard work.

Sueno sensei also talked about the preparation for ojiwaza and compared the difficulty of waiting and trying to counter your opponents timing rather than using seme and hikidasu to make him attack at a time when you are ready for him. He demonstrated applying and releasing pressure so that the attacker is drawn into your space and timing and therefore is unable to escape your trap.

Hi final comments after jigeiko however were much more concerned with basics. “The movement of our hands in kendo should be up and down”. He moved his open hands in a straight line from the wrists so that fingers were angled first up then down. He then showed us how many people were using their hands, and that the right hand was either pushing over to the left, or the right wrist was twisting inwards so that the shinai was either at an angle or turned to hit with the side edge. He also inferred that using our right hand in this way was likely to spoil our posture and balance.

So simple but extremely valuable advice – hands should be soft and flexible and like our elbows and shoulders move in a straight up and down motion, allowing us to hit the target accurately and sharply without wasting energy.

Thanks from all at Mumeishi to Sueno sensei. We look forward to your next visit.

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