Posted in Kendo shiai, Kendo Training, tagged Chiba Sensei, Jodan, Kendo basics, Kendo kihon, Kendo Training, NiTo, shiai, William Smith-Clark on September 17, 2012 |
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I am no longer surprised by beginners who after a few weeks in armour, are bursting to take up nito or jodan. Everyone who starts kendo does so with a vision of the kenshi that they wish to become. Of course having a goal to aim for is totally worthy. William S. Clark’s parting words to the students of Sapporo Agricultural College “Boys be ambitious”, became common currency in Japan, and are still quoted a hundred and thirty years after he said them.
We live in an instant age. Whereas singers and musicians achieved fame after years of learning their trade by gigging in pubs and clubs, todays “superstars” reach their dreams by appearing on talent shows. Clearly this view is slightly coloured by my status as a “grumpy old man”, but as a member of the “me” generation, I am probably as much to blame as is Simon Cowell. To face facts, there are no instant gains in kendo. Skill is built on years of hard training.
I have discussed the challenges of building patience into the kendo learning process with a number of my betters; particularly Chiba sensei. His view as a jodan player is that until you can invariably produce accurate waza from chudan with correct ki-ken-tai-itchi you should not move on to the more esoteric aspects of kendo. If you can’t control one sword then you are doubling the difficulty with two and if your feet and hands don’t work together then you will not solve the problem by reversing your foot position when you take jodan. In my humble (and Chiba sensei’s less humble) view, good kendo is built on the foundation of following good instruction and repeatedly practising basic techniques in chudan.
The stage at which people should embark on a shiai career follows similar logic. It is admirable to want to test your skill in competition against others, but unless you can do basic techniques correctly, you risk developing bad habits that could spoil your further development. One or two early exposures to competition will probably help confirm your place in the kendo universe, but without a good basis of accurate fundamental kendo, continued training with shiai in mind will harm rather than help your future development.
So far it all sounds rather gloomy, but to my mind, the joy in learning kendo is in training for its own sake and when something falls into place then the pleasure of achievement is enormous. Of course when you have assembled your kendo tool-kit then you can go on to become a great shiai player, whether in chudan, jodan or nito. As good old Bill Clark might have said “Boys be ambitious, but give it a bit of time”.
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I got a new blazer as a Christmas present, shortly after hearing of my selection as a referee for the 15WKC. I had lost a little weight since buying my last blazer, so decided on one with a smart tailored fit. I decided to break it in before the event and wore it to the Paris Taikai.
So feeling that I was looking as sharp as any kendo shinpan can look. I took my place in the sports hall some thirty minutes before the beginning of the event and thought that whilst the competitors were warming up, I should do a few stretches of my own. I started by throwing my arms out to loosen my shoulders and the top button of my two button blazer took off.
Fortunately I had some time before the first shiai, so I persuaded the nearby bogu seller to sew the offending button back in place; I then moved to my court for the first match. All went to plan for the first few contests, but later as I took my position as shushin, disaster struck. As one of the competitors exited the shiaijo, I raised both flags to call yame, as I did so; the top button again took flight and hit the timekeeper. Fortunately he was using a whistle rather than a bell; otherwise it may have been the first and only example of a shushin calling yame and ringing “time” simultaneously.
Working on the premise that the best way to continue was with the minimum of fuss, I fastened the remaining bottom button before awarding hansoku and restarted the match. Within a few seconds red scored a decisive men ari and I and my two colleagues raised our flags for ippon. As my flag went up I felt a draught against my shirtfront. The shushin in the next court then stopped his match, picked up my second button and returned it to me. Now of my two buttons, one was on the timekeepers desk and the other in my inside pocket. Fortunately red scored again and as this was the taisho match, the replacement referee team took over.
After a hurried group rei, I collected my remaining button and considered ways of getting through the day without looking a total slob. Luckily the emergency services were on hand. The Paris Ambulance Service very kindly went through their medical kit and found me two big safety pins which held my buttons in place for the rest of the day.
I have now reverted to plan “d”. On returning home I went to the sewing supplies shop and bough a reel of elastic thread. After making a total mess of sewing on the buttons, I enlisted my wife’s help and now have the springiest blazer buttons in kendo. I will of course take my blazer for another test drive, otherwise it is back to the old model for the 15WKC.
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I was happily browsing through the new Official Guide for Kendo Instruction; nodding sagely at the explanations of things I knew, when I reached the section on yuko datotsu. Having refereed internationally on many occasions and attended all the regional referee training courses, I like to think that I have a fairly clear idea of what constitutes ippon. My confidence started to waiver a little when I read the description of yuko datotsu for nito, particularly the explanation of ippon for the shoto.
Forgive me if I do not give the exact quote, as I am travelling without the book at the moment, but to score with the shoto the daito must be holding down the opponent’s shinai whilst the arm holding the daito (the long one) is fully extended. Now just to clarify this point, it means that the opponent’s shinai is being suppressed at a distance equating to the length of the arm plus a 38 shinai when you strike with the shoto (the little one). Now I am very far from being a nito expert. I have never tried it and have no intention to do so, but if I am not missing something, the rule makes it impossible to score with the shoto unless the player has a two metre arm or a telescopic kodachi.
I wrote about nito before http://wp.me/stBQt-nito and mentioned that I have never seen ippon given to a kodachi strike. I have also heard a variety of explanations from referee instructors and shinpancho about the difficulty of making yuko datotsu with the kodachi, because nito is “different from mainstream kendo”, but this makes it patently clear that the shoto is not meant for scoring with.
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Posted in Shiai training, tagged kendo shiai, shiai on September 12, 2008 |
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Tomorrow is the day of the British Open Championship and during the past few weeks several people have asked me about the best way of training for shiai. Other than the answer that ” it is too late” if you are asking now, I am not sure if there is any training that is solely specific to shiai. If you train to make your everyday Kendo stronger and faster then it will improve your shiai.
In my view, what sets strong shiai players apart from the rest of us, is the confidence and ability to remain calm under pressure and of course, the more you train and the more shiai experience you have, the more confident you become. There are, of course, tactics that will help maximise on shiai performance, but these are of no use without kendo skill. Arguably, concentrating too early in your kendo career on winning shiai can be counter-productive, with too much emphasis being put on not being hit and not enough concentration on correct technique.
Newer refereeing guidelines point to the need for correct distance, cutting, posture, strength of strike and zanshin and if you think about it, these are best developed through kirikaeshi, uchikomigeiko and waza geiko. Of course you need to find or make the correct opportunity to attack or counter-attack, but again these can be learned in keiko as well as shiai.
The only elements that are exclusive to shiai are the way you manage the space of the shiai-jo and the time allotted to the match. I recently saw a competitor lose by two points by accumulating four hansoku for stepping out of the area. Whilst this is an extreme case, many players would gain from having more awareness of how close they are to the line. The same applies to understanding where you are in the three, four or five minutes allowed for the match and ensuring that you do not peak too early or wait too long. If you are in an individual match or a team daihyo sen, then the stamina and the patience for a long encho are also important.
So I suppose the same advice goes for shiai as passing gradings. The more kendo you do (correctly), the better at it you become.
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It is arguably much harder to become a good referee than a good kendoka. Having watched people trying to get to grips with refereeing at last weekends seminar, it is obvious that the combination of correctly judging yuko datotsu, moving as a team and confidently coordinating flags and voice commands is a massive task. It is also obvious that for Kendo to flourish, we need a pipeline of capable young referees for the future.
Fortunately, in Kendo, there is a requirement for referees to be active kendoka. Unlike some sports where individuals who do not actually play, can qualify as a referee, there is not the level of contempt for referees that exists in say, soccer. Still, being the man with the flag is not the most glamorous job in the shiai-jo, which is why many kendoka prefer to continue their own shiai career rather than referee. This leads to increased pressure on the few people who do regularly referee. In an ideal world there should be nine referees per shiai-jo, to ensure everyone has sufficient rest time, whereas I regularly referee as one of a team of four.
Everyone has their own view of what constitutes Ippon. Most would buy into the concept that the correct part of the shinai must strike the correct part of the target. The attacker must show ki-ken-tai-ichi and correct posture and zanshin. The cut must have sufficient force and finish and the sword cutting angle must be accurate. Using the evidence of their eyes and ears, referees need to compute all this information in a split second.
To be able to do this, you need be in the right place at the right time. You need to move as a tight triangle with a constant view of both sides of both contestants. You also need to keep in sight of the other two referees, so that you can respond to their calls. Now clearly, if you spend your time in the shiai-jo worrying about the correct pronounciation of your next command, or thinking about where your flags should be if you need to make such and such a signal; you will be too busy to judge the next point correctly.
So, you need to ensure that your position in the court, the commands and flag handling become second nature. Then you can concenrate on judging correct yuko datotsu. How do you do this? To quote the old New York joke, the same way you get to Carnegie Hall- practise.
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